ROY ORBISON / RAY CHARLES / RADIOHEAD / R.E.M / QUEEN / PUBLIC ENEMY
PRINCE / PINK FLOYD / PHIL SPECTOR / PATTI SMITH / PARLIAMENT AND FUNKADELIC
OTIS REDDING / NIRVANA / NINE INCH NAILS / NEIL YOUNG / MUDDY WATERS
MICHAEL JACKSON / METALLICA / MARVIN GAYE / MADONNA
BOB DYLAN / BO DIDDLEY / BLACK SABBATH
$ By Billie Joe Armstrong $
The Sex Pistols released just one album — Never Mind the Bollocks, Here's the Sex Pistols — but it punched a huge hole in everything that was bullshit about rock music, and everything that was going wrong with the world, too. No one else has had that kind of impact with one album. You can hear their influence everywhere from Joy Division to Guns n' Roses to Public Enemy to the Smiths to Slayer. Never Mind the Bollocks is the root of everything that goes on at modern-rock radio. It's just an amazing thing that no one's been able to live up to.
It's a myth that these guys couldn't play their instruments. Steve Jones is one of the best guitarists of all time, as far as I'm concerned — he taught me how a Gibson should sound. Paul Cook was an amazing drummer with a distinct sound, right up there with Keith Moon or Charlie Watts. There are bands out there still trying to sound like the Sex Pistols and can't, because they were great players.
The difference between John Lydon and a lot of other punk singers is that they can only emulate what he was doing naturally. There was nothing about him that was contrived. As far as the bass player goes, I don't think it was necessarily a mistake to replace Glen Matlock with Sid Vicious. Matlock was cool, but Sid was everything that's cool about punk rock: a skinny rocker who had a ton of attitude, sort of an Elvis, James Dean kind of guy. That said, there's nothing romantic about being addicted to heroin. He was capable of playing his instrument, but he was too fucked up to do it.
The things that Lydon wrote about back in '76 and '77 are totally relevant to what's going on right now. They paint an ugly picture. No one ever had the guts to say what they said. The only person who did anything similar to it was Bob Dylan, and even Bob Dylan was never that blunt.
When I first heard them, I was 14 or 15 and into a lot of heavy-metal and hard-rock music. I think I was at a girl's house. I remember hearing those boot stomps to "Holidays in the Sun." And then the guitar came roaring through like thunder. By the time Lydon's vocal came in, I definitely wanted to destroy my past and create something new for myself. That's sort of the impact that they always had on me and my music. When I'm trying to create something, I always refer to the Sex Pistols, because they show you what the possibilities are in music. You don't have to emulate them, but thanks to them, you can take it anywhere.